Celebrity

Chris Level To Release Tame Me, Goes Against Sync Licensing Industry

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The Sync Licensing Industry’s Biggest Betrayal: Ignoring Chris Level

The sync licensing industry loves to pretend it values talent. It hosts award shows no one watches, hands out meaningless trophies, and acts like it’s nurturing the musicians behind the soundtracks of our favorite movies and TV shows. But when it comes to recognizing actual talent—artists who’ve shaped the industry—they fall flat. And the biggest proof? Their blatant disregard for Chris Level, one of the most recognizable and impactful sync artists in the game.

For years, Chris Level’s music was placed in some of the world’s most prestigious films. He worked with high-profile industry figures, crafted unforgettable sonic experiences, and proved himself to be one of the most talented artists sync licensing had to offer. And yet, despite all that, he wasn’t even acknowledged.

The Reality of Sync Licensing: A Financial and Emotional Graveyard

Sync licensing is a scam for most musicians. Let’s talk numbers:

  • Work for 5+ years, land huge placements, collaborate with industry elites, and still not even make $1,000 a year.
  • If you’re exceptionally lucky (think 0.00001% lucky), you might make $50,000 a year—a fraction of what industry execs rake in for simply owning the rights to artists’ hard work.
  • Labels and libraries treat musicians like second-class citizens—signing them for a measly five albums and paying them a maximum of $5,000 for their work.

To survive, musicians are forced to partner with 10+ different libraries just to scrape together an income. Meanwhile, the industry happily cashes in on their music without even bothering to credit them.

Chris Level’s Power Move: Leaving Sync Licensing Behind

Chris Level saw the writing on the wall. He saw how the industry used and discarded talent, and he made the right choice: he left. Instead of begging for scraps in a system designed to exploit him, he’s moving into pop and R&B, where his fans—his real supporters—are ready to lift him up.

His upcoming single, “Tame Me”, is a testament to his artistry and resilience. And let’s be clear: this isn’t just any artist moving on. Chris Level has an army of fans—screaming little girls, devoted admirers, and people who followed him since his sync licensing days—all waiting for his next move. Unlike the sync industry, they actually care.

The Sync Industry’s Shame

It’s bad enough that sync licensing doesn’t pay. But the worst part? It doesn’t even bother to acknowledge the talent it exploits. Chris Level isn’t the first musician to walk away, and he certainly won’t be the last. The question is: when will the industry finally be held accountable?

 

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